King Crimson – Heaven & Earth (2019) {Box Set Limited Edition, 18CD + 4BD + 2DVD + Hi-Res}

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King Crimson – Heaven & Earth (2019) {Box Set Limited Edition, 18CD + 4BD + 2DVD + Hi-Res}
16x EAC Rip FLAC Image + Cue + Log
4x Blu-ray MPEG-4 AVC Video DTS-HD MA (5.1 & 2.0 / 24bit / 48kHz) LPCM (5.1 & 2.0 / 24bit / 48kHz)
2x DVD NTSC 16:9 LPCM (5.1 & 2.0 / 24bit / 48kHz) MLP (5.1 & 2.0 / 24bit / 48kHz) DTS (5.1 / 24bit / 48kHz)
Hi-Res FLAC Tracks / 24bit / 48kHz Stereo & Multichannel
Full Scans Included
Total Size: 6.77 GB (CDs) + 164 GB (BDs) + 14.3 GB (DVDs) + 58.9 GB (Hi-Res) + 1.49 GB (Scans) 3% RAR Recovery
Label: Discipline Global Mobile USA, Canada & EU Cat#: KCCBX14 Genre: Progressive Rock

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This box set features 18 CDs, 3 x blu-ray audio, one blu-ray video and two DVD-Audio discs. The first three CDs are devoted to enhanced version of the studio albums The ConstruKction Of Light (2000) and The Power to Believe (2003). The former has been remixed (by Don Gunn) and features all new drums by Pat Mastelotto and has a new moniker The ReconstruKction Of Light. The Power to Believe is featured as an extended/enhanced stereo mix and includes the studio version of Happy With What You Have To Be Happy With and Level 5.Read More

Portrait in Jazz is an album by Americanjazz pianist Bill Evans, released in 1960.

History[edit]

Eight months after his successful collaboration with Miles Davis on the album Kind of Blue, Evans recorded Portrait in Jazz with a new group (the Bill Evans Trio) that helped change the direction of modern jazz.

Most noticeably, LaFaro's bass is promoted from a mere accompanying instrument to one of almost equal status to the piano (though not to the extent that it would be on later albums such as Sunday at the Village Vanguard). It is one of Evans' more up-tempo and swinging albums (the presence of several ballads notwithstanding).

Reception[edit]

Reviewing it for Allmusic, music critic Scott Yanow wrote of the album: '.. the influential interpretations were far from routine or predictable at the time. LaFaro and Motian were nearly equal partners with the pianist in the ensembles.. A gem.'^[2] Danny Eccleston of Mojo wrote: 'Portrait In Jazz - Evans' fifth record as a band leader - gets you every which way. At its least great, it is merely brilliant.. But what makes Evans extra-extra-special is the way his playing drags you in and shares the vulnerability at its core. Oh, the humanity!'^[3]

Track listing[edit]

1. 'Come Rain or Come Shine' (Harold Arlen, Johnny Mercer) – 3:24
2. 'Autumn Leaves' (Joseph Kosma, Jacques Prévert, Johnny Mercer) – 6:00
3. 'Witchcraft' (Cy Coleman, Carolyn Leigh) – 4:37
4. 'When I Fall in Love' (Victor Young, Edward Heyman) – 4:57
5. 'Peri's Scope' (Bill Evans) – 3:15
6. 'What Is This Thing Called Love?' (Cole Porter) – 4:36
7. 'Spring Is Here' (Richard Rodgers, Lorenz Hart) – 5:09
8. 'Someday My Prince Will Come' (Frank Churchill, Larry Morey) – 4:57
9. 'Blue in Green' (Miles Davis, Bill Evans) – 5:25

Bonus tracks on CD reissue:

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10. 'Come Rain or Come Shine' [Take 4] - 3:23
11. 'Autumn Leaves' [Take 9, mono] - 5:25
12. 'Blue in Green' [Take 1] – 4:39
13. 'Blue in Green' [Take 2] – 4:26

Personnel[edit]

• Bill Evans – piano
• Scott LaFaro – bass
• Paul Motian – drums

Additional personnel[edit]

• Orrin Keepnews – producer
• Jack Higgins – engineer
• George Horn – mastering

References[edit]

1. ^Down Beat: September 15, 1960 Vol. 27, No. 19
2. ^ ^abYanow, Scott. 'Portrait in Jazz > Review'. Allmusic. Retrieved June 28, 2011.
3. ^ ^abEccleston, Danny. 'Portrait in Jazz > Review'. Mojo. Archived from the original on May 22, 2011. Retrieved June 28, 2011.
4. ^Larkin, Colin (2007). Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN978-0195313734.
5. ^Hull, Tom (n.d.). 'Essential Jazz Albums of the 1950s'. tomhull.com. Retrieved March 12, 2020.

External links[edit]